Monday, February 1, 2021

Day 1: Telling My Ancestor's Story

 Not Everything that is faced can be changed,

but nothing can be changed until it is faced.

- James Baldwin



I loved history when I was in school. It was one of my favorite subjects. I loved learning how the various moving parts and stories intertwined to create the wild tapestry that explained why the world looks the way it does. I especially loved Medieval history and European history. 

This was not because I found European history more interesting than any other kind. No, what I have realized is that I enjoyed European history because it was the only history that actually flowed and made sense. 

I also loved ancient history. I loved reading about Ancient Greece and Rome. 

These histories were also authentic to me.

Early American history always felt uncomfortable. Lots of African and South American history felt odd. 

Looking back now, I can put my finger on what it was about learning that history that was both uncomfortable and odd.

Europeans had been fighting, killing, and dealing with each other for generations. They had respect for each other even if they didn't like each other. They recognized each other's strengths and knew their history. 

When the textbook writers wrote of English, French, Roman, or Greek history, they were solid. They wrote with confidence, and they have gorgeous, sometimes horrific, full-throated confident language that showed those people and cultures as powerful or important in their own right.

Then there was the way they spoke of Africa...

Looking back, it is clear the people writing these textbooks learned about African History from people who only knew Africa from a Western European perspective. 

We didn't learn about African people.

We learned about the "discovery" of Arica as if it wasn't there before white folks found it.

We learned about the first encounters between Africans and Europeans as if the Africans were some other species of creature.

Columbus "Discovering" America

The same thing happened with the Incas, First Nation peoples of every other continent, and their cultures. Then, when they got to how those other cultures were treated...well, it just went from bad to embarrassing. 

There was no deep telling of who these "other" people were or what they had been up to for thousands of years. 

It was as if they were bit players in the great story of white men in the world. Which, let's be honest, that is how they were portrayed in my history.

No part of history really belonged to me or my ancestors. My only real worth was as a backdrop for the great white way.

There was a paucity of blackness or color of any kind in my "official" teachings of what human history is or was or that people like me had any hand in shaping it.

It made me feel small, insignificant, and as if I had no place.

I know, I know. Some of you are thinking, "No it didn't! Children really don't think about it like that. You are projecting your adult, been through the classes, looking at the research, remembering it wrong brain on your child self!" 

Nope. 

What I remember is clinging desperately to any and all references of blackness that were even somewhat kind, strong, positive, or meaningful.

I tried so hard to find ways to be proud of what and who I knew I was, to the point of my now being able to list three things that struck me in childhood.


1) The book I brought into Show and Tell in Kindergarten. The only one I had that featured a little girl "like me". My favorite book for many years.

This is the original cover

2) The poem that was read to us in music class. I don't remember which teacher read it. All I remember is that I was in second grade. I was at Sheridan Road Elementary School. The poem was by Mary O'Neil, and it was from the book Hailstones and Halibut Bones: Adventures in Poetry and Color


Want a Copy?


The poem that stayed with me that I kept repeating over and over and over in my head for about three years? The poem that still comes back to me as an adult, but it a different way?






Here is the whole poem:

"What Is Black?"


Black is the night
When there isn't a star
And you can't tell by looking
Where you are.
Black is a pail of paving tar. 
Black is jet
And things you'd like to forget
Black is a smokestack
Black is a cat,
A leopard, a raven,
A high silk hat.
The sound of black is 
"Boom! Boom! Boom!"
Echoing in
An empty room.
Black is kind -
It covers up
The run-down street, 
The broken cup.
Black is charcoal
And patio grill,
The soot spots on 
The window sill.
Black is a feeling
Hard to explain
Like suffering but
Without the pain.
Black is licorice
And patent leather shoes
Black is the print 
In the news.
Black is beauty
In its deepest form,
The darkest cloud 
In a thunderstorm.
Think of what starlight
And lamplight would lack
Diamonds and fireflies
If they couldn't lean against Black... (O'Neill, 1960).

3) The last bit of my childhood that I clung to when thinking about finding strength was the story of Wilma Rudolph. I loved this woman's story.


Who was Wilma Rudolph


I found out about Wilma Rudolph when I was in fourth grade. I wrote essays about her as my most admired American for the next four years. She'd worn braces on her legs when she was a child. I'd worn a cast on mine when I was little because my feet and legs were not in alignment and they weren't sure I'd ever walk.

She was an Olympic medalist! She was not given a chance to walk well, and she ran! She was black! She was black like me! 

I absolutely worshipped this woman when I was a kid.

Looking back now on those three tangible facts about what it meant to be going through school as a black girl in the '70s and 80s, I am both angry and sad for that kid when I think of all of the things she could have been taught. 

I'm glad she was surrounded by opportunities, family, books, music, laughter, love, hope, and teachers who looked at her, couldn't believe she was as smart, precocious and determined as she was -

 (these were not qualities that were normally assigned to black girls when I was little - I can guess this because I was literally the only black girl in most of the work groups, study groups, and classes I had through all of my k-12 education, and I know I wan't the only smart, determined, or capable black girl in every school I attended )

and pushed her to do what even she didn't know she could do.

So, as I approached February and thought about what I'd like to do to honor black history month this year, I thought perhaps I would do some retelling.

What would I have wanted to learn about what it meant to be black in America? 

What would i have wanted to understand about what it meant that my ancestors were enslaved here?

What would I have liked to have known?

What would I have liked to have felt?

So, I am going to begin to tackle that.

I am going to spend 27 days retelling this story. 

I won't get through all of it, there are centuries of information to unpack...but I can begin with a rough outline and expand from there.

So, here we go...


Day 1: Telling My Ancestor's Story

Day 2: The Historical Lens Was Cracked!

Day 3: I Couldn't Be Prouder - Reframing What It Meant To Be A "Slave"

Day 4: A New Generation: The Teenage Social Justice Warriors



3 comments:

  1. Dear Donna, Thank you so much for this. I'm looking forward to sharing your journey during February.
    I am very late to this journey. I'm 45 and white. I grew up in rural England with white people around me with a whitewashed media. It's been one thing, slowly unpicking all the cultural brainwashing of gender and gradually becoming more aware, stroppy and outspoken. To do that as a black woman dealing with race and gender at the same time is on a whole other level. Black children really need your answers to all your questions, but so do white children. I have two girls - we still live in a very white area - but one of the very positive things about the pandemic is the opportunity to think, talk and listen in a wider arena. It feels like a window has opened to the world, having the opportunity to hear you and other storytellers from many different backgrounds is amazing and a boost to bringing up the next generation differently.

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  2. Dear Donna, Thank you for sharing and writing and feeling all of this. Please share more. Funnily enough i remember the book of poetry, the cover triggered the memory of holding it, (in the school library at Washington Elementary School) reading it and having so many questions that no one had answers to. Thank you again. Hands to heart.

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  3. Loved it. Lived in Africa for 20 years and I believe you can leave Africa but Africa doesn't leave you. Still have fond memories which triggered again reading this .lots of love n hugs.

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